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The International Journal of the Royal Society of Thailand

Volume XVI-2024 (Special Issue)

Through these efforts, the monarchy has played a key role in sustaining the careers of

performers and preserving the cultural traditions they represent, ensuring that Thai dance and
drama continue to thrive as integral parts of the nation’s heritage.

King Rama I (1782–1809)

As the founder of the Chakri Dynasty, King Rama I is often credited with reviving and
preserving many aspects of Thai culture, including the performing arts. His reign marked

a deliberate effort to restore the grandeur of the Ayutthaya period, particularly through the
revival of Khon and Lakon. Recognizing the importance of these traditional forms in reinforcing

royal authority and religious values, King Rama I commissioned the rewriting of the Ramakien,
the Thai version of the Ramayana, ensuring that it remained central to Thai performances.

His efforts laid the groundwork for subsequent monarchs to continue supporting and nurturing
the arts.

King Rama I, the founder of the Chakri Dynasty, was deeply committed to restoring the
cultural and artistic heritage of Thailand. One of his first acts as king was to commission the

reconstruction of the Ramakien, the Thai version of the Ramayana, which had been largely lost
during the fall of Ayutthaya. The Ramakien became the foundation for Khon performances,

which were performed during important royal ceremonies and events.
King Rama I reestablished Khon and Lakon as central to the royal court, ensuring that these

performances continued to play a significant role in Thai cultural and religious life. He also revived
traditional dance forms and established royal institutions dedicated to the training of performers.

The palace became a hub for cultural activity, where dancers, musicians, and playwrights were
nurtured under royal patronage. King Rama I’s efforts to restore and institutionalize the performing

arts laid the foundation for their continued prominence in Thai society.

King Rama II (1809–1824)
King Rama II is often referred to as a golden age for Thai drama, thanks to his personal

involvement in the arts. A gifted poet and playwright, King Rama II composed several works
that are still performed today. His reign saw the flourishing of Lakon, with an increased focus on

refined choreography, poetic language, and narrative depth. King Rama II’s artistic vision elevated
the status of Thai drama, making it a core aspect of royal ceremonies and court life.

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