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The International Journal of the Royal Society of Thailand
                                                                                         Volume XII, 2020



                                       The Painting of His Majesty

                             King Bhumibol Adulyadej, King Rama IX                     1




                                                                                  Wibul Leesuwan    2




                   Abstract
                        His Majesty King Bhumibol Adulyadej is well known for his talent
                  in various fields of art, particularly as an extraordinary musician. His
                  Majesty’s interest in painting and sculpture might go back to his studies in
                  Switzerland (1937-1945), where appreciation of art is an important subject.
                  His Majesty showed great interest in painting. Either he learned to paint by
                  himself or he studied painting from books. It is said that His Majesty
                  sometimes went to learn how to paint from artists he liked.  In the initial period
                  after his return to Thailand, His Majesty still had time to practice various
                  artistic pursuits, especially in the field of music, in which His Majesty was

                  extraordinary talented. The compositions are very well known to the public.
                  Apart from music, His Majesty King Bhumibol was very interested in visual
                  arts including painting, and completed a large number of paintings, but
                  these are not as well known among the public. From around 1959, His
                  Majesty studied oil painting from books on art and received suggestions
                  from senior art teachers of the time. He continued producing work in this
                  field until 1966. We found over 107 paintings by His Majesty.


                King Bhumibol’s paintings can be classified into three groups:


                Group 1:  In this initial phase, His Majesty practiced basic oil painting of
                            portraits and still life.

                Group 2:   His Majesty painted according to his feelings, but still showing form.

                Group 3:   His Majesty painted abstract works with free expression.



                  Paper presented in the meeting of Academy of Arts on Tuesday 6 December 2016,
                1
                  13.30-15.30
                  Fellow, Fine Art, Painting, Academy of Arts, The Royal Society Thailand
                2


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                    Wibul Leesuwan



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       _21-0619(009-018)2.indd   9                                                                 5/1/2565 BE   09:03
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