สำนักราชบัณฑิตยสภา

The Journal of the Royal Institute of Thailand Vol. 30 No. 1 Jan.-Mar. 2005 142 “√— µ∂– ∂“ªí µ¬°√√¡ «Õ≈‡µÕ√å ´’ °— ≈ (Walter Segal) ‡¢’ ¬π„𧔉«â Õ“≈— ¬·°à ¡’ «à “ ç§π§ππ’È ‰¡à ‡§¬À≈ß∑“ß ‡¢“ “¡“√∂¢®— ¥§«“¡ ß — ¬‡°’Ë ¬«°— ∫ß“π¢Õ߇¢“‰¥â ‡ ¡Õ ¡’ “¡“√∂√«∫√«¡§«“¡‡¢â “„®Õ¬à “ß≈÷ °´÷È ß °“√ªØ‘ ∫— µ‘ ß“π·≈–°“√„™â ‡Àµÿ º≈¢Õ߇¢“ ¡“°≈—Ë π°√Õ߇ªì π¢â Õ∫— ≠≠— µ‘ ∑’Ë ¡’ √–¥— ∫ °“√¬Õ¡√— ∫ Ÿ ß‚¥¬∑—Ë «‰ª´÷Ë ß‰¡à ¡’ ∂“ªπ‘ ° „¥„π¬ÿ §¢Õ߇√“∑’Ë “¡“√∂®–∑”‰¥â ‡™à π π—È πé* ‡¡◊Ë ÕÀ— π¡“æ‘ ®“√≥“∂÷ ßß“π ∂“- ªí µ¬°√√¡∑’Ë ¬÷ ¥·π«∑“ߢÕߧ«“¡ ¡∂– ∑’Ë ‡ªì π«— ≤π∏√√¡¡“¬“«π“πÀ≈“¬√â Õ¬ ªï °à Õπ ¡’ «“𠇥Õ√å ‚√Àå °— π¥Ÿ ∫â “ß ‡ªì πß“π ∂“ªí µ¬°√√¡‡√’ ¬∫ßà “¬„°≈â ™‘ ¥ ∏√√¡™“µ‘ ·≈–„™â Õß§å ª√–°Õ∫®“°«— ¥ÿ ∏√√¡™“µ‘ ‰¡à °’Ë Õ¬à “ß¡“ª√–°Õ∫°— π‡ªì π Õ“§“√æ— °Õ“»— ¬ π—Ë π§◊ Õß“π ∂“ªí µ¬- °√√¡µ“¡«— ≤π∏√√¡¥—È ß‡¥‘ ¡¢Õß≠’Ë ªÿÉ π (Traditional Japanese Architecture) ‡ πâ π°“ √ÕÕ°·∫∫∑’Ë ‡ √’ ¬∫ßà “¬·≈– ª√–À¬— ¥ ·≈–¡’ §«“¡ºŸ °æ— πÕ¬à “ß ≈–‡Õ’ ¬¥Õà Õπ°— ∫ ¿“æ·«¥≈â Õ¡∑“ß ∏√√¡™“µ‘ ‡À≈“®◊Ë Õ »“ ¥“¢Õß»“ π“‡µã “ ´÷Ë ß‡ªì π»“ π“ ”§— ≠»“ π“Àπ÷Ë ß¢Õß ®’ π°≈à “«‰«â «à “ 秫“¡ß“¡¢ÕßÀâ ÕßÕ¬Ÿà ∑’Ë §«“¡«à “߇ª≈à “¢Õßæ◊È π∑’Ë §√Õ∫§≈ÿ ¡ ¥â «¬ºπ— ß·≈–À≈— ߧ“é ∑à “π°≈à “««à “ §«“¡ß“¡∑’Ë ·∑â ®√‘ ß®–‡°‘ ¥¢÷È π„πÀâ Õ߉¥â °Á µà Õ‡¡◊Ë Õ¢®— ¥ ‘Ë ß∑’Ë √°√ÿ ß√— ßµà “ß Ê ÕÕ° ‰ª®π‡À≈◊ Õ·µà §«“¡·ºà «∫“ߢÕß ’ ¢Õß≈“¬ ·≈–¢Õߺ‘ ««— ¥ÿ ·≈–ª≈à Õ¬ „Àâ ®‘ πµπ“°“√¢ÕߺŸâ ∑’Ë Õ¬Ÿà ¿“¬„π‡ √‘ ¡ ·µà ß„Àâ °≈¡°≈◊ π°— ∫ ¿“«–·≈–Õ“√¡≥å ∑’Ë ‡À¡“– ¡°— ∫°“≈‡«≈“ ª√— ™≠“¢Õß∑à “π‡À≈“®◊Ë Õ‰¥â ‡¢â “ ¡“‡ªì π∑’Ë ¬Õ¡√— ∫„πª√–‡∑»≠’Ë ªÿÉ πºà “π æÿ ∑∏»“ π“π‘ °“¬‡´π·≈–¢¬“¬Õ‘ ∑∏‘ æ≈ ‰ª‡ªì π·π«§«“¡§‘ ¥ ”§— ≠„π°“√„™â ™’ «‘ µª√–®”«— π¢Õß™“«≠’Ë ªÿÉ π ¥— ßπ—È π ™“«≠’Ë ªÿÉ π®÷ ߉¡à π‘ ¬¡°“√µ°·µà ß∑’Ë ‡ÀÁ π ™— ¥·®â ß À√◊ Õ°“√· ¥ßÕÕ°Õ¬à “ß‚Õâ Õ«¥ „π∫â “π¢Õ߇¢“ ·≈–À— π‰ª‡ÀÁ π§ÿ ≥§à “ ¢Õߧ«“¡Õ¥°≈—È π·≈–®”°— ¥§«∫§ÿ ¡ √«¡∑—È ß§«“¡«à “߇ª≈à “ ´÷Ë ß ∂“ªπ‘ ° ·≈–π— °ÕÕ°·∫∫ªí ®®ÿ ∫— π‡√’ ¬°°— π«à “ ç “√— µ∂– ∂“ªí µ¬°√√¡é (Minimalism in Architecture) «π∑’Ë Õ”π«¬„Àâ ‡°‘ ¥ ¡“∏‘ ®“°°“√§√“¥∑√“¬„Àâ ‡ªì π‡ ¡◊ Õπ§≈◊Ë π ·≈–π”°√«¥¢“«¡“°Õ߇À¡◊ ÕπΩíò ß·≈–‡π‘ π‡¢“ Àâ Õß∑’Ë „™â ”À√— ∫¿“√°‘ ®µÕπ°≈“ß«— π °Á “¡“√∂‡ª≈’Ë ¬π‡ªì πÀâ Õß πÕπ‚¥¬π”∑’Ë πÕπ (øÿ µß-Futons) ¡“ªŸ * This man apparently never lost himself; he always seemed capable of resolving doubts about his work. Mies could distil his insight, his reactions and his reasoning into canons that possessed a degree of universality which no other architect of our time ever achieved. 12 Walter Segal in his obituary notice.