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«“√ “√ √“™∫— ≥±‘ µ¬ ∂“π ªï ∑’Ë Û ©∫— ∫∑’Ë Ò ¡.§.-¡’ .§. ÚıÙ¯ 137 °ƒ…Æ“ Õ√ÿ ≥«ß…å ≥ Õ¬ÿ ∏¬“ * ∫√√¬“¬„π°“√ª√–™ÿ ¡ ”π— °»‘ ≈ª°√√¡ √“™∫— ≥±‘ µ¬ ∂“π ‡¡◊Ë Õ«— π∑’Ë Ò˘ ‘ ßÀ“§¡ æ.». ÚıÙ˜ “√— µ∂– ∂“ªí µ¬°√√¡* °ƒ…Æ“ Õ√ÿ ≥«ß…å ≥ Õ¬ÿ ∏¬“ ¿“§’ ¡“™‘ ° ”π— °»‘ ≈ª°√√¡ √“™∫— ≥±‘ µ¬ ∂“π “Minimalism seeks purity as an expression of aesthetic beauty as well as functionality. This objective is reached in architecture by reducing form and color to their most basic level. Mies van der Rohe’s celebrated dictum “less is more” encapsulates the principle of a movement that turns its back on artifice in the search for the simplest way to design a structure, always keeping in mind the goal of achieving the highest functionality with the most basic elements. Minimalism also embraces the concept of simplicity. Its austere and serene spatial designs seek to create an atmosphere of calm and tranquility.” Minimalist Houses : Linda Parker, 2003 “√— µ∂– ∂“ªí µ¬°√√¡¬÷ ¥§«“¡∫√‘ ÿ ∑∏‘Ï ‡ªì π·π«∑“ß √⠓ߧ«“¡ß¥ß“¡ ·≈–ª√–‚¬™πå „™â Õ¬ ‚¥¬°“√„™â √Ÿ ª∑√ß·≈– ’ — π·∫∫æ◊È π∞“π·≈–‡√’ ¬∫ßà “¬ §µ‘ æ®πå ∑’Ë ‚¥à ߥ— ߢÕß¡’ «“𠇥Õ√å ‚√Àå (Mies van der Rohe) ∑’Ë «à “ çπâ Õ¬§◊ Õ¡“°é (less is more) π—È π ‡ªì πÀ≈— °°“√∑’Ë ªØ‘ ‡ ∏°“√µ°·µà ߪ√–¥— ∫ ª√–¥“µà “ß Ê ‡æ◊Ë Õ§â πÀ“«‘ ∏’ ‡√’ ¬∫ßà “¬∑’Ë ÿ ¥„π°“√ÕÕ°·∫∫‚§√ß √â “ß ‚¥¬∑’Ë §”π÷ ß ∂÷ ß®ÿ ¥¡ÿà ßÀ¡“¬¢Õß°“√‰¥â ª√–‚¬™πå „™â Õ¬ Ÿ ß ÿ ¥ ‚¥¬„™â ·µà Õß§å ª√–°Õ∫æ◊È π∞“π ‡∑à “π—È π “√— µ∂– ∂“ªí µ¬°√√¡¬÷ ¥∂◊ Õ·π«§«“¡§‘ ¥¢Õߧ«“¡‡√’ ¬∫ßà “¬·≈– °“√ÕÕ°·∫∫∑’Ë ß“¡ ßà “‚¥¬‰¡à ¡’ °“√µ°·µà ߪ√–¥— ∫ª√–¥“π—È π °Á ‡æ◊Ë Õ®– √â “ß ∫√√¬“°“»¢Õߧ«“¡‡ß’ ¬∫·≈–§«“¡ ß∫ ∫∑ ∫√√≥π‘ ∑— »πå