สำนักราชบัณฑิตยสภา

The Journal of the Royal Institute of Thailand Vol. 30 No. 3 Jul.-Sep. 2005 822 ¡ÿ ∑√‚¶…§”©— π∑å ™à «ß∑’Ë ·µà ß ¡— ¬Õ¬ÿ ∏¬“ : «‘ ∏’ °“√¥â “π‡π◊È Õ‡√◊Ë Õß Àπ— ß ◊ ÕÕâ “ßÕ‘ ß °ÿ ÿ ¡“ √— °…¡≥’ . °“√«‘ ‡§√“–Àå «√√≥§¥’ ‰∑¬ µ“¡∑ƒ…Æ’ «√√≥§¥’ — π °ƒµ. √“¬ß“π «‘ ®— ¬ ”π— °ß“π§≥–°√√¡°“√«‘ ®— ¬·Àà ß™“µ‘ , ÚıÛ. π‘ ¬–¥“ ‡À≈à “ ÿ π∑√. ªí ≠≠“ ™“¥° : ª√–«— µ‘ ·≈– §«“¡ ”§— ≠∑’Ë ¡’ µà Õ«√√≥°√√¡√â Õ¬°√ÕߢÕß ‰∑¬. °√ÿ ߇∑æœ : ·¡à §”º“ß, ÚıÛ¯. ª. . »“ µ√’ . ºŸâ ·ª≈. Õ≈— ß°“√»“ µ√å ¢Õß«“§- ¿— Ø. æ‘ ¡æå ‡ªì πÕπÿ √≥å ß“π¨“ªπ°‘ ®»æ §ÿ ≥À≠‘ ß√‘È « ‡°…µ√À‘ √— ≠√— °…å æ.». ÚıÙ. ªí ≠≠“ ™“¥°©∫— ∫ÀÕ ¡ÿ ¥·Àà ß™“µ‘ . æ√–π§√ : »‘ ≈ª“∫√√≥“§“√, ÚÙ˘˘. ·¬â ¡ ª√–æ— ≤πå ∑Õß, π.Õ. ºŸâ ·ª≈. §— ¡¿’ √å ÿ ‚æ∏“- ≈— ß°“√ ©∫— ∫¡À“®ÿ Ó≈ß°√≥√“™«‘ ∑¬“≈— ¬. ∏π∫ÿ √’ : ‚√ßæ‘ ¡æå ª√–¬Ÿ √«ß»å , ÚıÙ. «√≈— °…≥å æ— ∫∫√√®ß. ºŸâ ·ª≈. ƒµÿ — ßÀ“√ ¢Õß °“≈‘ ∑“ . ¿“§«‘ ™“¿“…“‰∑¬·≈–¿“…“ µ–«— πÕÕ° §≥–¡πÿ …¬»“ µ√å ¡À“«‘ ∑¬“≈— ¬ »√’ π§√‘ π∑√«‘ ‚√≤ ª∑ÿ ¡«— π. (Õ— ¥ ”‡π“) »‘ ≈ª“°√, °√¡. π“ج»“ µ√å . æ‘ ¡æå §√—È ß∑’Ë Ú. °√ÿ ߇∑æœ : ∫√‘ …— ∑ ‡Õ¥‘ — π ‡æ√ ‚æ√¥— ° å ®”°— ¥, ÚıÙÒ. _______. «√√≥°√√¡Õ¬ÿ ∏¬“ ‡≈à ¡ Ú. °√ÿ ߇∑æœ : ‚√ßæ‘ ¡æå §ÿ √ÿ ¿“, ÚıÙı. ÿ ¡“≈’ °’ ¬–°Ÿ ≈, √.∑. ¡ÿ ∑√‚¶…§”©— π∑å à «π∑’Ë ·µà ß ¡— ¬°√ÿ ß»√’ Õ¬ÿ ∏¬“ : °“√«‘ ‡§√“–Àå ·≈– «‘ ®“√≥å ‡™‘ ߪ√–«— µ‘ . «‘ ∑¬“π‘ æπ∏å ª√‘ ≠≠“ Õ— °…√»“ µ√∫— ≥±‘ µ ∫— ≥±‘ µ«‘ ∑¬“≈— ¬ ®ÿ Ó- ≈ß°√≥å ¡À“«‘ ∑¬“≈— ¬, ÚıÒ˘. (Õ— ¥ ”‡π“). Abstract The Part of Samuddhrakhosa Khamchan Written in Ayuddhaya Period : The Story Method Shosita Maneesai Associate Fellow of the Academy of Arts, The Royal Institute, Thailand The objective of this article is to reveal the story method, considered as a significant factor that excels the part of Samuddhrakhosa Khamchan. According to an analytical study of the story method in Samuddhrakhosa Khamchan written in Ayuddhaya period, it is discovered that the idea of Rasa or aesthetic emotions suggested in Alamkarasastra and Subhodhalamkara, the famous poetical treatise, is the principal cause. To manifest aesthetic emotions, the first part of the story is made distinguish from its source, Samuddhrakhosa Chataka, by adding some chronological interesting events and enlarging emotional description of some characters. Generally, Alamkarasastra provides the poet principles of excellent poetic creation and the prototype of enchanting hero whilst Subhodhalamkara a detail description of aesthetic emotions. Indeed, the story method of Samuddhra- khosa Khamchan provides the superiority not only of aesthetic emotions but characters, story and theme. Key words : Samuddhrakhosa Khamchan, Ayuddhaya period, story method