สำนักราชบัณฑิตยสภา

The Journal of the Royal Institute of Thailand ®‘ µ√°√√¡¿“æ‡À¡◊ Õπ∫ÿ §§≈ Ωï æ√–À— µ∂å æ√–∫“∑ ¡‡¥Á ®æ√–‡®â “Õ¬Ÿà À— « √— ™°“≈∑’Ë ˘ Vol. 32 No. 1 Jan.-Mar. 2007 188 Abstract King Rama IX’s Portraiture: A Reminiscence Panya Vijinthanasarn Dean, Faculty of Painting, Sculpture and Graphic Arts, Silpakorn University, Bangkok Lertsiri Bovornkitti Assistant Dean, Faculty of Fine and Applied Arts in Foreign and Special Affairs, Burapha University, Chon Buri King Bhumibol Adulyadej (Rama IX)’s series of painting works have been widely admired by Thais and foreigners regarding their immeasurable value and His Majesty’s magnificent artistic skills. The King’s wisdom in painting is not just only aesthetic but also a good example of the art media harbored with elements of expressive context. The present authors have studied His Majesty’s painting works with extreme care and devotion. The earlier result was published in the Journal of the Royal Institute of Thailand, October-December, 2003 issue. The communication aims at reporting results of the study on the remaining portion of His Majesty’s portrait-painting works, using the same measure as that employed in the previous work, concentrating on concepts, styles, and modes of expressions, and the interpretation of imbued philosophical meanings. It is our ambitious hope that the products of our endeavor would yield important information beneficial to the contemporary Thai art circle. Key words : King Rama IX, portraiture ‡Õ° “√Õâ “ßÕ‘ ß Ò. ªí ≠≠“ «‘ ®‘ π∏π “√, ‡≈‘ »»‘ √‘ √å ∫«√°‘ µµ‘ . æ√–Õ— ®©√‘ ¬¿“æ¥â “π®‘ µ√°√√¡·≈– ®‘ πµ¿“æΩï æ√–À— µ∂å „π√— ™°“≈∑’Ë ˘. «“√ “√√“™∫— ≥±‘ µ¬ ∂“π. ÚıÙˆ : Ú¯. ÒÒÙÒ-ı˘. Ú. Àπ— ß ◊ Õ»‘ ≈ª°√√¡Ωï æ√–À— µ∂å ¡‡¥Á ® æ√–‡®â “Õ¬Ÿà À— «. ÀÕ»‘ ≈ªá ¡À“«‘ ∑¬“≈— ¬ »‘ ≈ª“°√ ”π— °æ‘ ¡æå Õ¡√‘ π∑√å ; ÚıÙÚ Àπâ “ Úı. Û. Àπ— ß ◊ Õß“π™à “ߢÕß„πÀ≈«ß. ‚§√ß°“√ «‘ ®— ¬¡À“«‘ ∑¬“≈— ¬»‘ ≈ª“°√. °√ÿ ߇∑æœ : ”π— °æ‘ ¡æå Õ¡√‘ π∑√å ; ÚıÛ˘ Àπâ “ ÒÚˆ. Ù. Àπ— ß ◊ Õß“π™à “ߢÕß„πÀ≈«ß. ‚§√ß°“√ «‘ ®— ¬¡À“«‘ ∑¬“≈— ¬»‘ ≈ª“°√. °√ÿ ߇∑æœ : ”π— °æ‘ ¡æå Õ¡√‘ π∑√å ; ÚıÛ˘ Àπâ “ ÒÛÒ. ı. «‘ √ÿ ≥ µ—È ß‡®√‘ ≠. æ√–Õ— ®©√‘ ¬¿“æ¢Õß æ√–∫“∑ ¡‡¥Á ®æ√–‡®â “Õ¬Ÿà À— « ¥â “π »‘ ≈ª°√√¡. «“√ “√√“™∫— ≥±‘ µ¬ ∂“π ©∫— ∫æ‘ ‡»…. ÚıÙı Àπâ “ ÒˆÙ. ˆ. °√¡»‘ ≈ª“°√. Õ— §√»‘ ≈ªî π. °√ÿ ߇∑æœ : Àâ “ßÀÿâ π à «π®”°— ¥ ª. — ¡æ— π∏å æ“≥‘ ™¬å ; ÚıÛ Àπâ “ Úı. ˜. Àπ— ß ◊ Õ»‘ ≈ª°√√¡Ωï æ√–À— µ∂å ¡‡¥Á ® æ√–‡®â “Õ¬Ÿà À— «. ÀÕ»‘ ≈ªá ¡À“«‘ ∑¬“≈— ¬ »‘ ≈ª“°√. ”π— °æ‘ ¡æå Õ¡√‘ π∑√å ; ÚıÙÚ Àπâ “ Úˆ.