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การต่อตั วในนาฏกรรมไทย 20 The Journal of the Royal Society of Thailand Vol. 41 No. 1 January-March 2016 Abstract Doing a Pyramid of Acrobat in Thai Drama Pairoj Thongkumsuk Associate Fellow, Academy of Arts, The Royal Society of Thailand Doing a Pyramid of Acrobat Kor. be the action of someone get on and stand on another shoulder as doing a Pyramid of Acrobat to climb the wall. Nor. be one of playing gymnastics that someone or more than climb to stand on the other body that be the main performer (The Royal Institute Dictionary of 2554 B.E.) Thai drama called this action that “Kuenloi-get on” when considered found that Thai Drama of Khon performance got the variety types of shows' postures influence from sculptures and paintings which were dressed up by body structure, movement and temper to become the dazzingly exquisite dance postures. Kuenloi dance posture appeared in Khon performance, Noke drama-play performance by all male, from literatures such as Ramayana, Suwannahongse, Rothasen, and Kominth. There were 3 types of Kuenloi in Thai Drama; 1. Kuenloi for taking journey 2. Kuenloi for fighting and 3. Kuenloi for showing off power. Researcher concisely analyzed Kuenloi dance postures as these are; 1. Loi one 2. Loi two 3. Loi three 4. Loi in back 5. Special Loi in back 6. Loi Hok on shoulder 7. Loi as Maschanu 8. Loi return tumble on shoulder and 9. Loi of special raise on shoulder. Getting on as group Loi in these names of 1. Upper Loi One 2. Upper Loi Two 3. Loi as War group and 4. Loi as Special Loi War group. Keywords: doing a pyramid of acrobat, Kuenloi (get on)