pok-radbundit

161 ‚™…‘ µ“ ¡≥’ „ «“√ “√ √“™∫— ≥±‘ µ¬ ∂“π ªï ∑’Ë ÛÛ ©∫— ∫∑’Ë Û °.§.-°.¬. ÚııÒ ∏“√∑Õß·¥ß æ√–π‘ æπ∏å ¢Õ߇®â “øÑ “ ∏√√¡∏‘ ‡∫»√ ¥— ßπ—È π ‚§≈ߪ√–¥‘ …∞å æ√–√à «ß ·≈– √à “¬ ÿ ¿“…‘ µæ√–√à «ß ”π«π‡°à “∑’Ë Õâ “ß∂÷ ß °Á πà “®–¡’ Õ“¬ÿ „π ™à «ßπ’È §◊ Õ µ—È ß·µà ¡— ¬Õ¬ÿ ∏¬“µÕπ °≈“ß∂÷ ßÕ¬ÿ ∏¬“µÕπª≈“¬ ‚¥¬ √à “¬ ÿ ¿“…‘ µæ√–√à «ß Õ“®‰¥â √— ∫°“√ª√— ∫ µ— «∫∑®“°¢Õ߇¥‘ ¡„π‡«≈“„°≈â ‡§’ ¬ß °— ∫∑’Ë ·µà ß ‚§≈ߪ√–¥‘ …∞å æ√–√à «ß ‡æ◊Ë Õ ¢¬“¬§«“¡ ·≈–«√√≥°√√¡∑—È ß Ú ‡√◊Ë Õßπ’È ‰¥â √— ∫°“√ √â “ß √√§å ¢÷È π„π °√Õ∫§«“¡§‘ ¥‡√◊Ë Õß°“æ¬å Àà Õ‚§≈ß «√√≥°√√¡‡√◊Ë Õß ÿ ¿“…‘ µæ√–√à «ß π’È ·¡â ®–¡’ ºŸâ »÷ °…“°— πÕ¬à “ß°«â “ߢ«“ß ∑—È ß¥â “π‡π◊È ÕÀ“·≈–¥â “𧫓¡‡ªì π¡“ ·µà ¢â Õ √ÿ ª∫“ߪ√–°“√∑’Ë ‰¥â ®“°°“√ »÷ °…“‰ª·≈â «°Á ¬— ߉¡à ¬ÿ µ‘ ·≈–¥Ÿ ‡À¡◊ Õπ«à “ ®–¬— ߧ߇À≈◊ Õ·ßà ¡ÿ ¡Õ’ °‰¡à πâ Õ¬∑’Ë ∑â “∑“¬ °“ √»÷ °…“§â π§«â “ „Àâ ‡ °‘ ¥§«“¡√Ÿâ §«“¡‡¢â “„®‡°’Ë ¬«°— ∫«√√≥°√√¡‡√◊Ë Õß π’È ¡“°¬‘Ë ß¢÷È π Õπ÷Ë ß °“√»÷ °…“«√√≥°√√¡ ‡√◊Ë Õßπ’È ‡æ’ ¬ß‡√◊Ë Õ߇¥’ ¬«¬— ßÕ“®‡™◊Ë Õ¡‚¬ß ‰ª∂÷ ß«√√≥°√√¡‡√◊Ë ÕßÕ◊Ë πÕ’ °À≈“¬‡√◊Ë Õß ©–π—È π °“√»÷ °…“«√√≥°√√¡‡√◊Ë Õßπ’È ‡æ‘Ë ¡‡µ‘ ¡Õ“®∑”„Àâ ‡°‘ ¥¢â Õ§‘ ¥‡ÀÁ π„À¡à Ê ´÷Ë ßπà “®–‡ªì πª√–‚¬™πå ∑“ߧ«“¡√Ÿâ ¥â “π«√√≥°√√¡·∫∫·ºπ¢Õ߉∑¬ ∑—È ßπ’È ‚Õ°“ „π°“√‡¢â “∂÷ ßµ— «∫∑°Á ‡ªì π ‘Ë ß ”§— ≠ µ— «∫∑«√√≥°√√¡¥— ß°≈à “« §«√‰¥â √— ∫°“√‡º¬·æ√à „Àâ °«â “ߢ«“ß ¡“°°«à “π’È ‚¥¬‡©æ“–Õ¬à “ß¬‘Ë ß À“°¡’ °“√‡º¬·æ√à ¿“æ∂à “¬‡Õ° “√µ— «‡¢’ ¬π ¥â «¬°Á ®–¬‘Ë ß‡ªì πª√–‚¬™πå ‡æ√“–°“√ »÷ °…“‡Õ° “√µ— «‡¢’ ¬π®–∑”„Àâ ‡°‘ ¥ §«“¡√Ÿâ ·≈–¡ÿ ¡¡Õß·ßà Õ◊Ë πÊ ‰¥â Õ’ °¡“° ∫√√≥“πÿ °√¡ ®‘ π¥“¡≥’ ©∫— ∫ÀÕ ¡ÿ ¥·Àà ß™“µ‘ . æ‘ ¡æå §√—È ß∑’Ë Û. ∏π∫ÿ √’ : »‘ ≈ª“∫√√≥“§“√, ÚıÒÙ. π‘ ¬–¥“ ‡À≈à “ ÿ π∑√. æ‘ π‘ ®«√√≥°√√¡. °√ÿ ߇∑æœ : ·¡à §”º“ß, ÚıÛı. ª√¡“πÿ ™‘ µ™‘ ‚π√ ¡‡¥Á ®æ√–¡À“ ¡≥‡®â “ °√¡æ√–. ≈‘ ≈‘ µµ–‡≈ßæà “¬. °√ÿ ߇∑æœ : ‚√ßæ‘ ¡æå §ÿ √ÿ ¿“, ÚıÚ. ‡≈Á °¥“ Õ‘Ë ¡„®. ç°“√»÷ °…“‡ª√’ ¬∫‡∑’ ¬∫‚§≈ß æ√–√“™π‘ æπ∏å ˆ ‡√◊Ë Õß „π ¡‡¥Á ®æ√–‡®â “ Õ¬Ÿà À— «∫√¡‚°».é «‘ ∑¬“π‘ æπ∏å ª√‘ ≠≠“ »‘ ≈ª»“ µ√¡À“∫— ≥±‘ µ §≥–»‘ ≈ª»“ µ√å ¡À“«‘ ∑¬“≈— ¬»‘ ≈ª“°√, ÚıÚ¯. (Õ— ¥ ”‡π“). «‘ ™“°“√, °√¡. ª√–™ÿ ¡‚§≈ß‚≈°π‘ µ‘ . °√ÿ ߇∑æœ : ‚√ßæ‘ ¡æå §ÿ √ÿ ¿“, ÚıÙÛ. ------ . ª√–™ÿ ¡ ÿ ¿“…‘ µæ√–√à «ß. °√ÿ ߇∑æœ : ‚√ßæ‘ ¡æå §ÿ √ÿ ¿“, ÚıÙÚ. »‘ ≈ª“°√, °√¡. «√√≥°√√¡ ¡— ¬ ÿ ‚¢∑— ¬. æ‘ ¡æå §√—È ß∑’Ë Ú. °√ÿ ߇∑æœ : °Õß«√√≥°√√¡·≈– ª√–«— µ‘ »“ µ√å , ÚıÛ˘. ------ .«√√≥°√√¡ ¡— ¬Õ¬ÿ ∏¬“ ‡≈à ¡ Ò. °√ÿ ߇∑æœ : °Õß«√√≥°√√¡·≈–ª√–«— µ‘ »“ µ√å , ÚıÙ. ------ .«√√≥°√√¡ ¡— ¬Õ¬ÿ ∏¬“ ‡≈à ¡ Ú. °√ÿ ߇∑æœ : °Õß«√√≥°√√¡·≈–ª√–«— µ‘ »“ µ√å , ÚıÙı. ‡ ¿“‡√◊Ë Õߢÿ π™â “ߢÿ π·ºπ ©∫— ∫ÀÕ ¡ÿ ¥·Àà ß™“µ‘ . æ‘ ¡æå §√—È ß∑’Ë ÒÙ. æ√–π§√ : ·æ√à æ‘ ∑¬“, ÚıÒÛ. Abstract : Suphasit Bandit (Pradit) Phraruang Shosita Maneesai Associate Fellow of the Academy of Arts, The Royal Institute, Thailand Suphasit Phraruang is a significant didactic Thai classical literature which has been widely studied. It is written in various kinds of Thai classical prosody such as Rai, Khlong and Kap. Its context is available in various versions, most of which were handwritten. Only the version inscripted at Wat Phrachetuphon Wimonmangkhalaram is popular and has been in print for a long time. When those manuscripts were printed, the interesting academic opinions about the texual relations were also added. In this article, some more opinion is presented. It is the relationship between Khlong Pradit Phraruang and Wat Koûs Rai Suphasit Phraruang. Both of them reflect the meaning of each other and they seem to be a parallel literature. Written at the same time in the Ayutthaya Period when Kap Ho Khlong, a kind of Thai classical prosody, was prominent, it can be surmised that both of them have been based on Kap Ho Khlong. Key words : Suphasit, Phraruang